Cathy Davidson shares some innovative approaches to university teaching and learning here that demonstrate the power in having students learn by producing digital media, not just by consuming it. Davidson's DML blog post shows ways to break down educational barriers that artificially separate readers and writers, consumers and producers, players and critical thinkers, as demonstrated by students who work in media production teams to develop key course concepts into online challenges for their peers. One of the many good things about this approach is that it taps into the digital resources and strengths that students already bring to the classroom.
This is true for early childhood classrooms as well. We can build on students' digital media knowledge and abilities by recognizing technologies as appropriate resources for learning and by allowing children to bring cell phones, digital toys, and popular media into the classroom. For very young children, we're finding that criticality begins with the understanding that a digital text was produced by people rather than somehow magically generated within a screen. Giving children opportunities to make and share their own digital productions helps develop their emergent critical understandings.
A blog about teaching, learning, and playing with literacies, media, and technologies in preschool, kindergarten, and primary grades
Tuesday, May 17, 2011
Sunday, February 6, 2011
Teaching with and against Cinderella
Blogging and listening to Peggy Orenstein, author of Cinderella Ate My Daughter: Dispatches from the Front Lines of the New Girlie-Girl Culture. The book is a call to action for parents, to reject a pervasive princess consumer culture for preschool girls and at the same time support their children's pleasure and joy in playing and pretending.
Children are growing up in a world where it's possible to live in character, to be princesses from head to toe from breakfast to bedtime. Childhoods are immersed in transmedia, dense flows of consumer goods in media franchises such as the Disney Princess films that spin off DVDs, video games, and everything imaginable from mermaid toothbrushes to fluffy Cinderella slippers.
However, in my research on young children's pretend play and film-making with popular media in preschool and kindergarten classrooms, I'm finding that children are critical players and knowledgeable consumers of transmedia. Given opportunities to write and play with their favorite media themes and toys in school, young girls (and boys) find ways to twist and remake stories with princesses who take matters into their own hands and fight off dragons themselves.
The key seems to be play. When children have regular and repeated opportunities to play these texts, they don't take up the same stories but improvise and invent, changing their roles when a princess identity becomes too restrictive. When children have the chance to draw storyboards and film their doll play, puppet shows, or pretend dramas, they are put in powerful positions as authors and directors that encourage rewritings and remakings of the stories they love.
So it's not just a question of parents working to change popular media. Teachers can encourage children to make critical productions that still allow children to engage in the kinds of princess play so popular with their peers. By providing critical media curriulum that includes production with new literacies (film-making, podcasting, remixing, etc.), we can help children see that they have the power to reshape these commercially-given and widely-circulating princess narratives and rework Cinderella into more active and satisfying storylines.
But it all begins with making a space to play with (and critique) popular media in early childhood classrooms. And that means re-centering play as a valuable and necessary part of the preschool and kindergarten curriculum.
Children are growing up in a world where it's possible to live in character, to be princesses from head to toe from breakfast to bedtime. Childhoods are immersed in transmedia, dense flows of consumer goods in media franchises such as the Disney Princess films that spin off DVDs, video games, and everything imaginable from mermaid toothbrushes to fluffy Cinderella slippers.
However, in my research on young children's pretend play and film-making with popular media in preschool and kindergarten classrooms, I'm finding that children are critical players and knowledgeable consumers of transmedia. Given opportunities to write and play with their favorite media themes and toys in school, young girls (and boys) find ways to twist and remake stories with princesses who take matters into their own hands and fight off dragons themselves.
The key seems to be play. When children have regular and repeated opportunities to play these texts, they don't take up the same stories but improvise and invent, changing their roles when a princess identity becomes too restrictive. When children have the chance to draw storyboards and film their doll play, puppet shows, or pretend dramas, they are put in powerful positions as authors and directors that encourage rewritings and remakings of the stories they love.
So it's not just a question of parents working to change popular media. Teachers can encourage children to make critical productions that still allow children to engage in the kinds of princess play so popular with their peers. By providing critical media curriulum that includes production with new literacies (film-making, podcasting, remixing, etc.), we can help children see that they have the power to reshape these commercially-given and widely-circulating princess narratives and rework Cinderella into more active and satisfying storylines.
But it all begins with making a space to play with (and critique) popular media in early childhood classrooms. And that means re-centering play as a valuable and necessary part of the preschool and kindergarten curriculum.
Monday, August 30, 2010
Browsing Blogs
Today’s children are growing up in a world where the dominant way of making meaning has shifted from print on the page to image on the screen. Increasingly, young children read and write on screens, and not just on computers but also with mobile technologies, such as cell phones and iPods. Carly Shuler reports that “more than half of the world’s population now owns a cell phone and children under 12 constitute one of the fastest growing segments of mobile technology users in the U.S.” What does this mean for teachers who want to teach children to use the literacies that fill modern childhoods? Are we recognizing the literacy practices that children already know? Are we making space for texting and blogging in our classrooms?
Here's a great classroom blog and a set of individual blogs that allow each student to post and comment on other blogs. It also includes video tips for starting up blogs in your own classroom…
A teacher's blog: http://weblogs.pbspaces.com/mrskolbert/
Kids' blogs: http://kidblog.org/mrskolbertsclass/
Here's a great classroom blog and a set of individual blogs that allow each student to post and comment on other blogs. It also includes video tips for starting up blogs in your own classroom…
A teacher's blog: http://weblogs.pbspaces.com/mrskolbert/
Kids' blogs: http://kidblog.org/mrskolbertsclass/
Wednesday, August 25, 2010
Wednesday, August 11, 2010
Writing Check-up
Are you immunized against common "writing viruses"?
Check your prose for writing maladies listed on the Huffington Post...
Check the comments section for other symptoms, like MSMR (multiple simultaneous mind reading)...
Check your prose for writing maladies listed on the Huffington Post...
Check the comments section for other symptoms, like MSMR (multiple simultaneous mind reading)...
Thursday, July 29, 2010
All Things Twitter
Twittercure is packed with ideas and resources for using Twitter in educational settings.
"A dose of Twitter for every day of the school year"
Thinking about...
How does the need to write within a 140 character frame shape meanings, forms, and writing decisions?
How many kids tweet? How many read Twitter?
And how might we use tweeting to support young children's literacy learning?
"A dose of Twitter for every day of the school year"
Thinking about...
How does the need to write within a 140 character frame shape meanings, forms, and writing decisions?
How many kids tweet? How many read Twitter?
And how might we use tweeting to support young children's literacy learning?
Sunday, March 21, 2010
Shared writing through collaborative blogs!
Collaborative blogs are a great way for young children to pool their research, raise questions, and share what they're finding. Check out this great second grade blog: http://allaboutbears.blogspot.com/2006_01_01_archive.html
The blog was cited in Knobel & Wilbur's (2009) Educational Leadership article, Whether it's Web 2.0 or Literacy 2.0, it's a whole new way of thinking.
The blog was cited in Knobel & Wilbur's (2009) Educational Leadership article, Whether it's Web 2.0 or Literacy 2.0, it's a whole new way of thinking.
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